Building A War   Boat 
               Building a replica 18th century bateau that’s 35 feet long and weighs   1200 pounds is probably not the first boat-building experience most of us would   think about.  But 10 years ago I had the opportunity, with several others,   to get in on this project. 
              
                
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                  The Rooster, is a reproduction of an 18th/19th century bateau.  It's   a 34 ft, double ended, flat bottom scow with lapstrake construction.   
                  click images to enlarge  | 
                 
               
              Since 1984, I have been an historical re-enactor, one of those curious people   who dress up in old-timey clothes and uniforms, with musket in hand, to recreate   a skirmish at an historic site or celebrate a “founder’s day” event.  It’s   great fun and I’ve made a lot of friends over the   years. 
              In October, 1999, I had a conversation with Chris Booth, a local custom housing   builder, fellow re-enactor,  and supporter of the Battle of Plattsburgh   Association, about building a bateau in Plattsburgh, NY.  (The Battle of Plattsburgh, Sept.   11, 1814, was the last naval battle on Lake Champlain between the   United States and   England. Sometimes it’s referred to   as the Battle of Lake Champlain.  We hold a commemoration re-enactment   every year). 
              
                
                  | The   Rooster in action at the Battle of Plattsburgh, Sept. 2007 - picture supplied by the Plattsburg Press Republican  | 
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              We decided we needed a bateau (doesn’t   everybody?) and he offered his very large and well equipped building shop to put   one together.  We made up a materials list and Chris solicited donations   from local building suppliers.  Shortly after, by January, 2000, we were   joined by Travis Tucker, Craig Russell, Keith Herkalo and Jack Barrette, all   experienced woodworkers and/or boatmen.  We spent four hours every Monday   night for the next eight months building the boat.  By August 2000, it was   done, just in time for the Battle of Plattsburgh. 
              An 18th century bateau is a work boat, a double-ended flat bottom   scow  propelled by oars although a simple sail was occasionally   added.  Bateau is the French word for boat, and these boats were commonly   used in New York and New   England from the French & Indian Wars onward into the   19th century.  Their common waterways were Lake Champlain, Lake   George, the Mohawk River, the St. Lawrence River, and the Great Lakes Ontario   and Erie.    They were often built on the edge of the wilderness by carpenters using wood   from whatever trees were available. 
              
                
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                  On the   St. Lawrence River near Mallorytown, Ontario, with the gunboat Royaliste.   | 
                 
               
              They could be the original  “instant boats” because a small crew of   carpenters could knock one together within a week.  They were rough as a   corncob, were used hard, and had a short life expectancy of a few years.    They had shallow draft intended for rivers and shoals. Their usual role was as a   hauler of people, barrels of flour and gunpowder, lumber, furniture, small   livestock, and as a fishing boat.  When the military adopted them, a small   swivel gun was added. Some say they take their origins from Grand Banks fishing dories.  Eventually they would   evolve into what Howard Chapelle described as an American   sharpie.     
              Craig Russell, another re-enactor,  was lucky to find a set of plans   from the New York   State Museum.  These were a composite of   original bateaux that had been resurrected from the bottom of Lake George,   Lake Champlain and other inland   waterways.  The re-created prototype had been first built by a school group   in southern New   York.  Our boat was the second off these   plans. 
                 The Rooster is 35 feet long from stem to stern along the gunwales.  The   waterline is 29 feet.  The beam is 7 feet wide across the gunwales, 5 feet   across the bottom. 
              The bottom is flat, no keel, made up of butt-jointed 5/4” white pine.  The   sides are of lapstrake construction made up of  nominal 1” white pine   (which is actually ¾” white pine).  The ribs, bow stem and sternpost are   red oak.  The thole pins or oarlocks are black locust.  All trim is   white pine.  The 12-foot oars and 14-foot steering sweep are white ash,   which we planed down from green rough stock. 
              
                
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                  Planking | 
                 
               
              Fasteners are crowned square nails from Tremont Nail Co., Mansfield, MA,  clinched over.  Finish is a   mixture of turpentine and boiled linseed oil.  Early on, we used black   Sikaflex caulking which then ran about $18US a tube through local marine   dealers.  We found that it was peeling and stripping out after one   year.  Now, we use common black exterior silicone caulking, at about $2 a   tube, and find that it lasts longer and adheres better.  It’s shiny when   seen up close, but otherwise looks like tar.. 
              
                
                  | Butt Block | 
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              With a five-man crew on board (four oarsmen and coxswain) our draft is little   more than 6 inches… very useful in shallow inland lakes, rivers and   shorelines.  It is easily beached.  The Rooster is light and handy. It   can turn on a dime and rides high on the water. 
              You may notice there’s a carved rooster head on the bow stem.  That was   done by Chris Booth’s father, Kit, who is a notable local bird carver.    It’s not authentic for a work boat but it is a beautiful touch we couldn’t   refuse. 
              
                
                  The top of the bowstem sports a   hand-carved head of a rooster, executed by Kit Booth, a noted birdcarver in the   Plattsburgh   area.  This is not historically correct for the period, but it was a gift we   couldn't refuse. 
                  The swivel gun is mounted on a post   that is anchored through the bow deck and to the floor below.  | 
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              The square sail rig is a simple   affair.  The mast is a 14-foot stick of red pine we found in the local   woods.  The 12-foot spar is cedar.  The sail is an 11x11 piece of   canvas painter’s tarp with manila bolt ropes sewn in by hand.  The sail is   laced to the spar, and the foot is loose.  The mast is easy to step,   there’s a shoe on the floor and it leans into a half-circle notch cut into a   seat thwart or mast partner and it’s lashed in place with rope.  There’s a   forward stay and two shrouds.  Under sail, the spar lines and sail sheets   are held by hand or wrapped around the oarlock   pins. 
              
                
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                   The sail is an 11x11 piece of   canvas painter’s tarp with manila bolt ropes sewn in by hand.  | 
                 
               
              It runs well downwind and on a broad reach,   plugging along at about 2 knots.  Occasionally, we try a beam reach and   that works but, since it has no keel or leeboard, I’m constantly correcting with   the stern sweep. 
              I think we could do a lot better with a   balanced lug sail and better canvas, and a leeboard, but it’s questionable if   that rig would ever have been used on these boats in the 18th   century. 
              The swivel gun is a 1-pounder, 1-1/2 inch   bore.  It’s about 30 inches long and  weighs about 75 pounds.  We   bought it from a Canadian foundry that was doing a run of a dozen   castings.  It has a stainless steel bore sleeve.  A local machine shop   did the finish turning on a lathe to smooth it up and highlight the barrel   rings.  Of course, at re-enactments, we only shoot blank charges of about   300 grains of black powder. 
              
                
                  | The swivel gun is a 1-pounder, 1-1/2 inch   bore.  It’s about 30 inches long and  weighs about 75 pounds. | 
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              We also carry a 40-pound kedge or   fisherman’s anchor, obtained from Washington Chain & Supply in Seattle.  We carry   about 100 feet of manila anchor line and chain.  That may sound short and   light but it works.  We don’t anchor that often, usually we’re beached or   tied up to a tree. 
              Whether or not to fiberglass the bottom of   the boat was a controversial issue with us right from the start of construction.    Initially, we decided to stay pure to 18th century construction and   go all natural wood.  In other words, no glass applications – the wood and   caulking would have to hold the water, in and out. 
              After three years we realized the   problem:  We were storing the boat in a dry heated environment.  Each   year, we would take it out and soak it from the inside (filling it up with   water) to get the boards to ‘make up’ with water, and seal the edges   tight.  We had no place to put it in the lake for the season and let it   seal naturally over the summer. 
               After each weekend event, we would   take it out and let it sit for another year in a dry environment.  We could   see that this was taking its toll on the wood: shrinking, splitting,   checking.   
              Finally, in 2003, for the sake of maintaining the integrity of the hull, we   decided to fiberglass the bottom up and around the garboard and up to the edge   of the first strake.  We painted it black.  The glass was never sanded   silky-smooth like a modern boat.  
              
                
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                  In 2003, for the sake of maintaining the integrity of the hull, we   decided to fiberglass the bottom up and around the garboard and up to the edge   of the first strake. | 
                 
               
                 We’ve taken criticism for this decision to fiberglass from other re-enactors   but, frankly, unless you want to build a new bateau every few years, I would   recommend fiberglassing to everybody who has built a good bateau and wants to   see it survive in good repair.  Despite our best efforts, we are not living   in the 18th or 19th   centuries. 
              At the Battle of Plattsburgh Commemoration event, we can typically have as many   as ten boats of this type participating during the weekend.  One of our   events is a short race with certificates and pewter tankards given as   prizes.  We’ve taken the Rooster to other re-enactments and races and it   has always been a serious contender. 
              We took First   Place in the Dark Island International Race 2001,   Mallorytown, Ont. (before fiber-glassing, and we carried 6 crewmen and 2   passengers on board, plus sail rigging and a swivel gun).  Five other   bateaux participated.  In this race, we started from the beach in   Mallorytown, rowed across the St. Lawrence River crossing the international   border to the US side (probably broke some rules there since we had a swivel gun   mounted on board) and around Dark Island, a small island that features a huge   castle-like mansion.  The total round trip was about seven miles and   several hours.  The crew was really pooped but we were about 500 yards   ahead of the second boat and we made a grand finish with the sail   up. 
              
                
                  | Launching the Rooster from the shore   of the St. Lawrence River at Mallortown, Ontario. | 
                    
                  
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              First Place in   the Battle of Plattsburgh Challenge Cup 2005 (after fiberglass, 5 crewmen, boat   stripped to lighten weight).  It was a fleet of 10 boats and the   competition was formidable.  We won again in 2007 with a crew of three   oarsmen.  This is a short triangular sprint race around two marker   buoys. 
              What we have learned from this is that the   Rooster has a good hull design, plus a strong crew that has trained together for   seven years.   
              In 2005 we were still leaking at the second   strakes and taking on water through the sides. We’re not sure that the   fiberglass did anything more for us than hold the bottom together.  We were   still hauling wet wood.  However, each year we go over the caulking and   each year we make it drier.  We learned that simple cotton string can be   used to plug fine leaks in the strakes while   underway. 
              There is a fine correlation between the   size of the boat and the length of the oars.  If they are too short, the   efficiency of the crew diminishes.  If they are too long, the leverage   power increases but the ability of the crew to pull them diminishes.  In   the case of the Rooster, I believe the length and balance of the 12’ oars (and   14’ steering sweep) is about just right. There also is a correlation between the   surface size of the oar face and the efficiency of the crew.  Somebody has   probably worked out formulas for all this, we just hit it by dumb luck.  
              Why the name “Rooster”?  During the original Battle of   Plattsburgh on Sept. 11,  1814, the American flagship was the Saratoga,  master   commandant Lt. Thomas Macdonough.  On the deck of the Saratoga were a few crates   of fighting cocks, that being a favorite sailor’s sport.  One of the first   cannonballs fired by the British flagship, the Confiance, hit one of those   crates on the Saratoga, busting it apart.  The rooster   was unharmed, flew up onto the gunwale, and started crowing rather   defiantly.  The American sailors took that as a good omen and they carried   the day; so we decided to honor that brave bird. 
              
                
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                  Drifting on the Saranac River, Plattsburgh, NY | 
                 
               
              The Rooster is currently owned and housed   by the Battle of Plattsburgh Association.  Our scheduled outings for this   year are at Fort La Presentation, Ogdensburg, NY, on the St.Lawrence River, July 18-20; Sackets   Harbor, NY, on Lake Ontario,   August 1-3; and Plattsburgh, NY, on Lake Champlain,   September 12-14. 
              Fair winds….  
              Don Craig 
              dcraig@westelcom.com  
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